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    Picture - Razor's Edge', by Jason Engle


    WARNING: THESE ARE NOTES OF MY RESEARCH INTO LEVELS BEYOND OT7 THEY MAY BE RESTIMULATIVE OR UPSETTING, THE MATERIAL MAY BE INCORRECT, INCOMPLETE, OUT OF SEQUENCE, OR SIMPLY OUT OF GRADIENT READ THEM AT YOUR OWN RISK

    Warning was by Ken Oggers, the author Additional comments made by adminitration of this site are marked (text - admin)



           
     
         Ken Oggers              aka           The Pilot

    We are the decayed fragments of the god like beings who created this series of universes The fall has been a long one, encompasing a life spans of numerous universes The road back is long and hard, but the rewards are rich The subject before us is so vast that there is room for many researchers I am obviously not the first, nor I will be the last As of this writing I have not attempted to design a new bridge or revise the works of L Ron Hubbard (Elron) I have not even tried to put these new materials into a form that public individuals could use Instead, I have taken a walk through the unexplored wilderness, risking no one's case except my own These are my notes on that journey
     
     
     
    IMPLANT UNIVERSES

    The most basic abberations stem from a time when the individual had capabilities approximating those of a god To even conceive of those early incidents requires taking a viewpoint of a being that could create and destroy universes at will But do not be fooled into thinking, that such power solves all the problems Especially as we are only talking about power over MEST (Physical Universe - admin) or the various equivalents of MEST in other systems of creation When all men are gods, the problems of interpersonal relations are aggraviated, rather than lessened

    A being becomes abberated first and then he losses power as a consequence of those abberations Therefore, we find that the earliest unabberated period is followed by a period of intense abberated behaviour where the individual still wields a power of a god When an individual cannot be harmed or trapped by force or emotion, then all that remains is trickery, wrong data, and considerations that will lead him into trouble And when such individuals come into conflict, and have the power to create universes, they will create the universes specifically tailored to trick, degrade, and abberate each other hence the existence of implant universes

    An implant universe is a universe intentionally designed and used to install abberations They primarily existed early on the track at a time when the creation of universes was far easier than it is now Before discussing these further, some background information on the subject of universes in general is needed


     
     
    THE NATURE OF UNIVERSES

    A universe is a self consistent package of rules and mockups It will have space or equivalent to separate the mockups It will usually have time of some sort to handle the consecutiveness of events It will have some kind of contents as matter or energy And there will be a set of rules concerning the operation of the whole affair MEST style universes similar to ours have been common for a long time, primarily because the penalty universes of the home universe era implanted a predisposition towards this kind of mockup But many other things are possible and universes designed as traps or implants often go beyond the usual definitions so as to take advantage of the individual's ignorance and blind spots

    Universes are created by postulate, perpetuated by alterisness, and made real by others by agreement The universes we are interested in running out at this level were postulated, alter-ised, and agreed upon There is a great deal of relevant materials in the Axioms, Phoenix Lectures, Philadelphia Doctorate Course, and other early Scientology materials It will also greatly speed processing to the first run spacation (PDC) with attention with mocking up simple little universes and observing the behaviour of space and time

    As noted by Elron in one of his lectures beings shift between universes by agreement

    (text excluded - admin)

    Besides the normal agreed upon universes that people get together in, you find another kind of agreed upon universes This is a sort of "canned" or pre-defined universe that could be thought of as being like a movie is today This sort of universe is postulated as a complete track In example, the time line as well as the space is mocked up when the universe is postulated Imagine some pleasant movie being actually created as a full reality with all the perceptic etc Now imagine that the a "viewer" goes into agreement with the star actor and actually experiences the movie as if it was his own life The track is frozen He picks up the beginning of it and lives through it to the end and if it was really good, he might want to experience it again sometime In this sort of movie, you generally have no freedom of choice within the universe The track just runs you forward from beginning to end It is a universe in its own right and is not located in space or time relative to any other universe Its just there as itself and if you feel like agreeing with it and experiencing it, you just go for it Of course, you do have the same choice that you have now if you run a tape on a VCR You can stop the film or back it up or just turn it off But you can't change it internally unless you want to copy the whole thing and do a remake of the story with variatiojns

    There was actually quite a bit of competition involved in putting together these entertainment universes A sort of Theta (specific way of manifesting beingness - admin) level academy awards so to speak Sometimes heavy penalties such as a period of service or subjecting oneself to an unpleasant universe were gambled on bets as to whose mockups would be more popular

    There was also a flavor of "canned" universe that had some degree of choice in a manner similar to that of a video game or computer adventure game For example there may be a number of canned scenes and you would go to different ones depending on key decisions that you would make, or there would be a set of canned targets that would come at you at random sequence and you would score points as you eliminated them Here you have a series of mini- tracks all linked together with a postulated program Anything you can make a computer or VCR do can be set up the same way in a series of conditional theta postulates For example, you can make a postulate that if someone opens the door, than a green mouse will run out This is really no more difficult than postulating that a green mouse will not run out right now

    Note that under these circumstances, time travel becomes the equivalent of rewinding a VCR This, of course is time travel relative to the track of a universe Your own track is sequential regardless of whether you loop back through the track of a universe You could play a bit with a VCR and recognize that you can "go back in time" by rewinding it a bit or "predict the future" based on having seen it before If there is a calendar visible in the movie (the equivalent of the time tags on a picture or the actual time of a universe), you will see that the universe's time for a given scene is the same whenever you view it

    This does make dating difficult What with many agreed upon universes, so that there is no single one with the "right" time, and with canned universes that have the same date each time they are visited, values as x trillion years ago are not too useful Time was not tied together between many agreed upon universes and flowed at different rates so even if two people agreed to count things in "Earth" time, they might have vastly different dates for the same moment when they happened to be in the same universe together Dating can be done relative to your own experience by seeing what things happened before and after each other for you

    Late in this sequence you will find the appearance of home universe By this time the being was already slightly decayed Instead of simply creating and destroying a multitude of individual actual universes at will, he wanted some agreement So a large matrix of interconnected universes was set up and agreed upon Each individual was assigned his own home universe in this matrix where he could mock up what he wanted He invested so much time and effort and creativity into his home universe that he didn't want to let go of it As a result, he could be trapped by it This free theta period ends with the collapse of the home universe matrix into a single agreed upon universe

     
     
    THE MECHANICS OF UNIVERSES

    A Universe could be created by exactly and specifically postulating every individual element in it. However, this is quite a bit of work. There are some common shortcuts that are easy to use. These show up frequently in the construction of simple universes. It is almost as easy to postulate an infinity as it is to postulate an individual item. This is because an infinity of something is a single intention rather than many detailed different things. Lets say that you wanted to mock up a beach that someone could walk down. The way to spend eons at this is to mock up each individual grain of sand as itself and different from its neighbors. Instead, you mock up one grain of sand in detail and then copy it. You say this goes on and on. If you want and if there's nothing else in the space yet, you could just say that the beach goes on forever. This is an infinity. No matter how far along the beach someone walked, there would always be more beach. Note that the beach would always be the same unless you went along and changed some parts of it.

    You could also postulate a progressive infinity. Lets say that you mock up a stretch of beach in an intermediate color. Now you say it goes on forever in one direction getting lighter and lighter and goes on in the other direction getting darker and darker. Again this is just a simple postulate without a great deal of detail work. For a human level example, consider the number line in mathematics. The postulate here is just that there is a number and then you add one to it and get a bigger number. When numbers and counting were mocked up, just the basic premises of quantity and counting had to be conceived of. Nobody had to sit there and mock up every possible whole number from one to infinity. If you think of a bigger number than anybody else has ever thought of before, it doesn't make any difference. The next number is there just the same as always.

    In the same way, no matter how far you go down that beach that was mocked up as an infinity, there is more beach. And if a progression such as the sand gets hotter the further you go was included in the postulate, then it just keeps getting hotter. This works the same way as the numbers getting bigger and bigger as you go along the number line.

    Another trick with this is to postulate a repetitive pattern out to infinity. Here you say there will be a mile of green sand and then a mile of red sand and then another mile of green sand on and on forever. Its still pretty simple to set up. Any kind of mathematical series can be used in this kind of infinite postulate, it doesn't have to be a simple alternating sequence.

    The practical application of this is that you will find that there are universes where there really is mud from here on down and it just gets thicker and blacker no matter how deep you dig. And when you say, well what's on the other side of this mud, the answer is that there isn't any other side. It was not defined for the universe in question. It just goes out to infinity. That's what the postulate happened to be and that's what you have to duplicate to as-is it.

    In this universe, the postulate is infinite space. The space just goes on and on no matter how far you go. Another popular trick is to curve one of these infinities back on itself. For this, you take the infinite beach and select a point on it and then take a different point far away and make them be the same point. This is not very feasible if the beach already has junk on it and differences etc. But if you do it when the beach is pure and simple, you're only alter-ising the simple original postulate and it goes fairly easily. So this is a common second postulate before you get carried away with making alterations. Once you've done this, the beach will have a finite length and loop back upon itself as you walk it. But the beach is not curved, it is still flat and straight. It is the space itself that is curved.

    In an ordinary playing field type universe like this one, the thing just sits around getting alter-ised and fooled around with by whoever is in it. If you pick up the agreements of that universe or of someone in it, you get it in its current state.

    However, a story telling universe, or its viscous cousin the implant universe, also has a canned time track. In this case, not only the space but also the time is postulated. For example, day one is sunny, day two is cloudy, and its blackness from day three onward. The infinite postulates can be used with time just as well as with space.
     
    Imagine "Gone With the Wind" being set up as a story telling universe. First, a production crew would mock it up in detail, step by step and day by day. You would get into it by picking up the agreements at start of track. In other words you would agree with the Civil War and Tara and Scarlet etc. and suddenly there you'd be. It might be that the story was only mocked up from Scarlet's viewpoint, or maybe there'd be a choice of characters you could be with each one mocked up in full. At the end might be the credits, a theta signature that was postulated to go on forever in the time track of that universe.

    Because universes are entered by agreement, it becomes possible to cause someone to shift universes by enforcing the appropriate set of agreements. One being can blanket another and enforce the agreements of start of track of a canned universe and so get the other individual to run through it willy nilly. The canned universe in turn can inflict yet a further set of agreements which take him into yet another universe. And so we have Universe shifting incidents. Now we can explain Incident I. This is an implant universe that is a universe shifting incident. The incident is at start of track in its own weird universe. That's why you can have an earlier incident I and yet its always at the beginning of time. Its not just that it says it is at the beginning of time, it really is at the beginning of time in its own universe. It lays in the basic agreements that take you into this universe. The games in this universe are based on force and so you have things like the charioteer. The blackness at the end of incident 1 is an infinite postulate that just goes on forever in space and time. Since there is no real change except for repetitive waves in the blackness, eventually you shift over to the agreements that it was installing and wind up here. It is used to take undesirables and banish them to this universe. Sometimes someone manages to get back out of this one and they throw him in again and so you have the multiple occurrences of the incident. The overt side of this (blanketing someone and pushing them into it) is quite beneficial to run out.

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